"Pericope?"
Yes, yes, I see --
You disagree
respectfully
with its presentee.
So "pericope"
will now flee
back to committee
a refugee
of poetry's
great reportee
(no guarantee
it will not flee
its conferees!)
Who could forsee
the great jubilee
of such a word spree?
Doug Behm
Wednesday, May 5, 2010
Tuesday, May 4, 2010
GREATNESS
During the reading of Susan Cheevers' American Bloomsbury, one phrase stayed with me. In the presence of greatness. And so, the obvious comes to mind. Greatness in my mind is first manifested in GOD but it also recently came to my attention when, as we drove into the yard today, we discovered a ‘new’ bird eating the Flowering Crabtree’s apples. Helen said she thought it was a Cedar Waxwing. What a thrill! we had not seen one for years and to think he was eating his lunch at our old tree. Speaking of being in the presence of greatness, Yes to see a simple bird in a tree makes one realize that at that moment greatness is with us. Just as the red berries on the Barberry Bush are there to cheer us each time we step out the front door; I am in awe each time I see the Great Blue Heron ease himself up from the little pond below the barn. I could think of lots more but you probably get the idea. When one is in the unencumbered position of concentrating on one great thing it pushes all the unimportant frivolities to one side. Awe is a good word to describe these feelings of another presence. I think we all have at one time had an awestruck happening in our lives. And, if we think about it we might be able to reach into a corner of memories and find one or two.
So greatness instills in us a feeling of awe and wonder. In trying to find other examples, I came upon the mountains, and glaciers of Switzerland and our own Alaska. I might even include man-made wonders the designers of which must have felt they were in the presence of greatness when the designs were developing. And too, our great authors, especially those who established a writing tradition in our country. They also believed they were in the presence of greatness. Ralph W. Emerson, his friends Thoreau, Hawthorne, Bronson Alcott, and Louisa. And so we arrive at that place in our personal world for isn’t it that greatness that guides our thinking and writing and communication with one another? Thanks be to GREATNESS.
JANE NEALE
So greatness instills in us a feeling of awe and wonder. In trying to find other examples, I came upon the mountains, and glaciers of Switzerland and our own Alaska. I might even include man-made wonders the designers of which must have felt they were in the presence of greatness when the designs were developing. And too, our great authors, especially those who established a writing tradition in our country. They also believed they were in the presence of greatness. Ralph W. Emerson, his friends Thoreau, Hawthorne, Bronson Alcott, and Louisa. And so we arrive at that place in our personal world for isn’t it that greatness that guides our thinking and writing and communication with one another? Thanks be to GREATNESS.
JANE NEALE
Saturday, May 1, 2010
Music and its charms
What better beginning for a short essay on music? Coined by William Congreve, in the Mourning Bride, 1697:
“Musick has charms to sooth a savage breast, to soften rocks, or bend a knotted oak?”
Do we realize all the things about music that we love? Maybe, but I was thinking about it yesterday and wondered if any of us realize the thoughts and talents that are necessary to compose or conduct a symphony or a concerto or even an oratorio. The words of direction that give music its personhood are also a large part of our enjoyment, Piano, pianissimo, andante, largo forte all Italian words that make our music what it is. I discovered this year why an early piano was called a pianoforte. It is because it was capable of playing piano and forte soft and loud.
How in the world did Beethoven know what he was creating? He had lost his hearing; did he know the notes so well that he heard them in his head? The Moonlight Sonata, in his head, what a blessing and even his Ninth Symphony that we sing in church as Joyful Joyful, we adore thee. And little old Mozart the genius at such an early time in his life. He remains a favorite to this day. It would be difficult to mention his name and not have it recognized. And the film Amadeus brought even more interest to the general public. And many other stories surround the lives of the composers. F or instance I did not know that Robert Schuman died in a mental hospital. He had tried from an early age to commit suicide so requested to be hospitalized. And Franz Joseph Haydn’s head was stolen after he died Chopin died of pulmonary turberculosis.
Do you leave classical music playing all night? It is a good way to unclutter a brain; making room for ideas that have lain dormant for too long. ..The saying, “music hath charms” was coined by William Congreve, in theMmourningBride, 1697:
What better beginning for an essay on music?
classical music as we know it has been invaded by some real genius. Stravinsky, Copeland* and some of the raucous modern stuff that we have had to learn to accept. The Beatles did make compositions that were more musical than noisy definitely contrasting with what I call noise of the present day. Speaking of Copeland, his Fanfare for the Common Man comes to mind with its trumpets so pure. What is your favorite instrument? I think woodwinds are purer as are the trumpets. Must admit to influence of wynton and Ellis Marsalis and their brasses who have almost brought American Jazz into the classical sphere.
Copeland’s *Ballet Rodeo. And Appalachian Spring too have almost made it. We also know that the film industry borrows regularly from the old composers for its background music in many films.
Speaking of jazz, it is a little tough to take unless you can hear the engineering it takes to play the instruments. There are many devotees of this branch of music and perhaps it is well-earned. Having roots in our country in the New Orleans tradition many of us have learned to appreciate it to a great degree particularly for the talents it exhibits.
“Musick has charms to sooth a savage breast, to soften rocks, or bend a knotted oak?”
Do we realize all the things about music that we love? Maybe, but I was thinking about it yesterday and wondered if any of us realize the thoughts and talents that are necessary to compose or conduct a symphony or a concerto or even an oratorio. The words of direction that give music its personhood are also a large part of our enjoyment, Piano, pianissimo, andante, largo forte all Italian words that make our music what it is. I discovered this year why an early piano was called a pianoforte. It is because it was capable of playing piano and forte soft and loud.
How in the world did Beethoven know what he was creating? He had lost his hearing; did he know the notes so well that he heard them in his head? The Moonlight Sonata, in his head, what a blessing and even his Ninth Symphony that we sing in church as Joyful Joyful, we adore thee. And little old Mozart the genius at such an early time in his life. He remains a favorite to this day. It would be difficult to mention his name and not have it recognized. And the film Amadeus brought even more interest to the general public. And many other stories surround the lives of the composers. F or instance I did not know that Robert Schuman died in a mental hospital. He had tried from an early age to commit suicide so requested to be hospitalized. And Franz Joseph Haydn’s head was stolen after he died Chopin died of pulmonary turberculosis.
Do you leave classical music playing all night? It is a good way to unclutter a brain; making room for ideas that have lain dormant for too long. ..The saying, “music hath charms” was coined by William Congreve, in theMmourningBride, 1697:
What better beginning for an essay on music?
classical music as we know it has been invaded by some real genius. Stravinsky, Copeland* and some of the raucous modern stuff that we have had to learn to accept. The Beatles did make compositions that were more musical than noisy definitely contrasting with what I call noise of the present day. Speaking of Copeland, his Fanfare for the Common Man comes to mind with its trumpets so pure. What is your favorite instrument? I think woodwinds are purer as are the trumpets. Must admit to influence of wynton and Ellis Marsalis and their brasses who have almost brought American Jazz into the classical sphere.
Copeland’s *Ballet Rodeo. And Appalachian Spring too have almost made it. We also know that the film industry borrows regularly from the old composers for its background music in many films.
Speaking of jazz, it is a little tough to take unless you can hear the engineering it takes to play the instruments. There are many devotees of this branch of music and perhaps it is well-earned. Having roots in our country in the New Orleans tradition many of us have learned to appreciate it to a great degree particularly for the talents it exhibits.
Friday, April 30, 2010
The closed door
at the departure gate. 2006
A door closed.
A friend left.
How final was that closed door-
How sad to see the blank wood.
I knew it might be the last view of my friend,
And I hoped that the door would open; if not immediately then as if the friend had re-considered a departure.
But later that friend did not return to the empty space left in my life.
I became a friend without. But, I was ready;
No return, that door closed forever.
Jean Neale
A door closed.
A friend left.
How final was that closed door-
How sad to see the blank wood.
I knew it might be the last view of my friend,
And I hoped that the door would open; if not immediately then as if the friend had re-considered a departure.
But later that friend did not return to the empty space left in my life.
I became a friend without. But, I was ready;
No return, that door closed forever.
Jean Neale
Saturday, April 17, 2010
The sinister minister from Westminster
The sinister minister from Westminster
Prayed heartily for our souls
He had no idea what he was doing
Our souls were contained in our minds and our bodies
But he was sure we were failing our duty to god
But what we were doing did not work for him
So he kept on with his spell
For sinister minister was not working for God
But worked for the devil in hell.
So we decided to take things in hand
And solve this old man’s dilemma
We fell to our knees rather than stand
And we prayed for him to be healed.
His ideas were confusing most of all to him
We had our hearts in our work
But he resisted he knew no better
He was sure our fate was sealed.
The sun came out and a miracle happened
He knew he was being defeated
We won the battle we were secure
The old devil in hell was unseated.
So the sinister minister lost his title
And now walks the straight and narrow
We are leading him away from
the way he got lost
And his eye is now on the sparrow[1]
JANE NEAL
Prayed heartily for our souls
He had no idea what he was doing
Our souls were contained in our minds and our bodies
But he was sure we were failing our duty to god
But what we were doing did not work for him
So he kept on with his spell
For sinister minister was not working for God
But worked for the devil in hell.
So we decided to take things in hand
And solve this old man’s dilemma
We fell to our knees rather than stand
And we prayed for him to be healed.
His ideas were confusing most of all to him
We had our hearts in our work
But he resisted he knew no better
He was sure our fate was sealed.
The sun came out and a miracle happened
He knew he was being defeated
We won the battle we were secure
The old devil in hell was unseated.
So the sinister minister lost his title
And now walks the straight and narrow
We are leading him away from
the way he got lost
And his eye is now on the sparrow[1]
JANE NEAL
Friday, April 16, 2010
Patterns in the River
Water over stone
Patterns ever changing
Sunshine and shadows
Blue sky reflections.
Wild mint by the shoreJoe Pye weed color
Cardinal flower adds a pleasing red
And rarity.
Blue bottle gentian
Respectfully nodding
From under the sweet fern
And the river still tumbles over stones
Unchanged and unchanging.
And they say, don’t look back .
but we always take one more look.
Jane Neale
May 16, 2004
Patterns ever changing
Sunshine and shadows
Blue sky reflections.
Wild mint by the shoreJoe Pye weed color
Cardinal flower adds a pleasing red
And rarity.
Blue bottle gentian
Respectfully nodding
From under the sweet fern
And the river still tumbles over stones
Unchanged and unchanging.
And they say, don’t look back .
but we always take one more look.
Jane Neale
May 16, 2004
Monday, April 12, 2010
THERE WAS A KNIGHT OF BETHLEHEM
THERE WAS A KNIGHT OF BETHLEHEM
WHOSE WEALTH WAS TEARS AND SORROWS
HIS MEN AT ARMS WERE LITTLE LAMBS,
HIS TRUMPETERS WERE SPARROWS;
HIS CASTLE WAS A WOODEN CROSS,
WHEREON HE HUNG SO HIGH;
HIS HELMET WAS A CROWN OF THORNS
WHOSE CREST DID TOUCH THE SKY
HENRY NEVILLE MAUGHAN
WHOSE WEALTH WAS TEARS AND SORROWS
HIS MEN AT ARMS WERE LITTLE LAMBS,
HIS TRUMPETERS WERE SPARROWS;
HIS CASTLE WAS A WOODEN CROSS,
WHEREON HE HUNG SO HIGH;
HIS HELMET WAS A CROWN OF THORNS
WHOSE CREST DID TOUCH THE SKY
HENRY NEVILLE MAUGHAN
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